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And there are surely many teachers much more capable and knowledgeable than I am.Ĭlasses are typically weekly. There is always a lot to learn from someone like me, but the chemistry and imbibing of the Guru's style is as important as accumulating musical knowledge. Lastly, I choose my students carefully and allow them or their parents to decide as well that the relationship and association with me will be successful and valuable. I share with students, the master pieces of Carnatic music that I have gathered through two decades of continuous listening to the highest quality of music that has been sung in the last 100 years. Likewise, developing a sharp ear for Carnatic music and enjoying great music is vital to developing one's musical skills. Cooking to taste often produces the best food. Thirdly, I emphasize on learning through listening - a student is likely to learn twice as much from a teacher when exposed to music that has been sung by the great artists of yesteryears and absorb the nuances. Ask yourself this - did you or your child learn every single lesson in the beginner's course (Sangeetha Bala Paatam)? Why or why not? Secondly, most students tend to compromise on fundamentals in a hurry to move on to more advanced constructs or accumulate as many songs or geethams or krithis as they can.
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The type of classes I offer are customized to each student's potential and the maturity of their talent.
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Others take more time to align themselves to the Sruthi. For instance, some students need more time and different types of exercises in achieving stability in rhythm or talam. The teacher must focus on building a musical foundation specific to the talent and weaknesses of the particular student. Some students are more receptive than others and every student takes a different developmental path in building their talent.
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I also believe that each individual must develop his / her talents on an individual basis.
#Carnatic music lessons spring how to
Yes, my focus is on teaching to perform rather than teaching how to sing Carnatic music. Such a goal also requires a vast repertoire and plenty of variety. The precision in thalam, alignment to sruthi, oozing of bhaava or feel in the music rendered are very important when giving a stage performance as is the focus on coordination with accompanying artists. On the flip side, it deals somewhat lesser with the theoretical aspects of music. My focus will always be on stage performance type singing, which requires significantly more polishing than otherwise.
#Carnatic music lessons spring professional
Learning from a professional performing musician is very different compared to learning from people who specialize in teaching music. I also do not teach adults over the age of 20 years. I specialize in teaching advanced Carnatic techniques, such as Raga Alapana, Niraval, Kalpana Swaras and Ragam Thanam Pallavis.Īt this time I do not teach the basic lessons and expect students to be at a stage where they can sing at least a few varnams. If you're already studying Carnatic music and/or performing concerts, I can help you hone your singing and stage performance skills. I offer classes to children and aspiring concert performers up to ages 20 interested in learning traditional Carnatic (South Indian Style) music.Īt present, I reside in Pittsburgh, Pennsylvania and I teach over Skype and some in person classes depending on where students live.